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Vanessa Webb
Vanessa Webb’s oil paintings, collages and mixed media drawings explore themes such as self-discovery and femininity, as well as uncertainty and cognitive distortions.  Her style and experimentation differ depending on the medium.  As an artist, she is inspired by Pop Art and Surrealism.  Many of her pieces encompass bold design and vibrant colors.
Matt Stock
Matt Stock picked up a camera at an early age. Growing up he had two passions: photography and science. After deviating from the traditional path and his original plan to becoming a doctor, he realized that his passion in life lay in photography and not medicine. Matt formally studied at the internationally renowned Miami Ad School of Miami Beach, Florida but as a life-long learner he has spent the past eight years developing his signature style of Painting with Light in the Dark.
I believe that art should take you somewhere; take you to an imaginary place or time that doesn’t actually exist. I want my work to make your imagination start revving and searching for a time or place that only appears in your mind when you view my images.

I travel quite a bit and many of my journeys have been documented in my work. Looking at my body of work, one can see that I am drawn to faces, doors, windows and walls in the places I visit. I prefer to be non-specific in my choices of photographic themes and therefore my selection of subject matter tends to be quite eclectic. Saturated, bright colors as well as detailed subject matter are evident in all my color works.
Michelle Renee Garrison was born on Valentine’s Day, and grew up in Worthington, Ohio. Her interest in art began at an early age while attending youth classes at CCAD. As a student at Thomas Worthington High School, she began to exhibit her paintings competitively at both local and state levels. After high school she lived in both Arizona and Oregon, and continued to show her works at local galleries.
I strive to make my work feel intimate yet expansive. I want to create an experience for the viewer and I want them to feel. To feel free, relaxed, powerful, at ease, inspired – whatever it is they bring to the piece from their own experiences.

My works are my personal reaction to my own existence and my relationship to the natural world. I am interested in the line between representational and abstract in my work. I am constantly walking that line. There are certainly elements of work that can be recognized as shapes found in nature, where I draw so much inspiration from and where I feel most at home, but there is also a certain freedom from the literal that brings my work to the edge of the abstract.
The founders of Nikaa Photography Co., Hajna and Hanna Németh, mother and daughter have been working together since 2007. During this time, they have been proven in many areas of photography, from worldwide famous book illustrations to portrait photography. Their latest plan is to decorate the plain walls of homes, waiting rooms, hotel rooms and offices with the small, sometimes invisible beauties of nature. This is why Nikaa Photography Wall Decor was created, where Hajna is acting mostly as the “painter” while Hanna is the sharp-eyed “gallery owner”. Of course, nothing is set in stone, roles can change occasionally, but one thing is guaranteed: the brilliant images that can fill any blank space with life.
My art is a combination of chance and deliberation.
I want the viewer to get lost in the imagery, to feel
a freedom to peek into a world that radiates vibrations
of hues that evoke the expression of pure joy.
Surreal and Fine art work from the norwegian photographer and digital artist Erik Brede.

Producing a link between the landscape’s reality and that imagined by its conceiver is what Brede’s artwork focuses on. Influenced by renowned artist like Ansel Adams and Rene Magritte, Brede creates surreal and fine digital artwork . Brede follows a conceptual approach thus utilizing a wide scale of subjects in a multi-layered manner. His work focuses on concrete questions that determine our existence.
American of Puerto Rican and Lebanese Dominican descent born in the battered, burning South Bronx of the late 70s to immigrant parents. I was privileged to study across the river/world’s away in Manhattan, starting with the Visual Arts program at LaGuardia high school and followed by undergraduate studies at New York University as a Studio Arts major My university experience included learning from Katie Schimert and Lawrence Chua, exhibiting alongside Nate Lowman, and lead to a post graduate apprenticeship with Paul Pfeiffer starting in May of 2001. Following 9/11 (during which I was blissfully unaware of the carnage unfolding only blocks away as I worked on digital video pieces) I reconsidered the direction of my artistic practice.
Over the course of my life, I have had several experiences that I call ‘other-worldly’, moments in which I perceived the world around me in an extraordinary way. One of these moments occurred while at the J. Paul Getty Museum in Los Angeles. I was in one room of the museum and it appeared that everything in the room was connected with lines of light; then I moved to another room and again everything was connected with lines of light; and then into a third room, and yet again, everything was connected with lines of light. Physically it took me five minutes to walk from room to room ── the actual emotional experience was instantaneous. It was, so to speak, ‘out of ordinary time and space’, in another dimension, the fourth dimension.
Since childhood I have been intrigued and fascinated by Nature’s beauty. There are naturally occurring colors, textures and exquisite patterns that man can only hope to duplicate. In an effort to capture and create an amalgam of my visions, I studied art, photography and design at colleges in Milwaukee and Chicago. I always came back to photography as the most honest way to capture what I saw. I moved to New Hampshire in 1971 working through the years as a layout artist and copywriter, freelance studio photographer, therapeutic riding instructor and mother. However, I never put down my camera.